Single purpose: verify phono cartridge functionality (both channels alive, sane balance/polarity, no obvious severe faults) using in-browser audio measurement (Web Audio API).

Recommended signal chain: turntable → phono preamp → stereo line‑in / USB audio interface → this tool. Avoid mic inputs.

What this page can (and can’t) prove
This tool is good for: dead/missing channel, gross imbalance, polarity inversion, obvious clipping/distortion, major one-channel spectral weirdness, hum problems.

This tool is not good for: microscopic stylus wear shape, absolute frequency response curves, “final” azimuth/VTA alignment, or proving a cartridge is “perfect.” Many issues can also be cables, preamp, ADC/interface, or the test record itself.
Suggested quick workflow
  1. Any audio: confirm both channels move and no clipping.
  2. Stereo tone (1 kHz): check balance + THD sanity.
  3. Mono/in-phase tone: check correlation (polarity).
  4. Left-only then Right-only: check separation isn’t awful.
  5. Pink noise/sweep: compare Left vs Right spectra for a hard cutoff.
Troubleshooting tips
If you see a problem:
  • Swap L/R at the headshell (if easy) or swap RCA inputs: does the problem follow?
  • Re-seat headshell leads and RCA connectors (oxidation is common).
  • Confirm your audio interface input is line-level and not doing AGC.
  • Try a different record/track to rule out pressing defects or damage.

1) Connect + start

Non-Test Record Test Record
Non-test record mode focuses on “is it alive?” basics (both channels + gross balance). Switch to Test Record for deeper measurements. Test record mode unlocks channel ID, crosstalk, polarity, THD, and sweep checks.
Quick setup:
  1. Connect phono preamp outputstereo line‑in / USB audio interface (avoid mic inputs).
  2. Disable OS “enhancements” (AGC, noise suppression) if possible.
  3. Click Start, choose the right input, and confirm the L/R meters move.
Privacy: audio is processed locally in your browser; nothing is uploaded.
If Start doesn’t prompt for permission: load this via https or http://localhost (many browsers block capture on file://).
Sample rate: Level L: Level R: Balance (Δ L–R): Correlation:
Tip: Use a stereo line-in (audio interface) for best results.

2) Cartridge functionality health check

These indicators are meant to catch obvious problems (dead channel, gross imbalance, wrong polarity, severe distortion, major HF/LF cutoff differences). They are not lab-grade.
Input guardrails
  • Overall
  • Hard clipping
  • Soft clipping (likely)
  • Input looks mono / channels identical
  • Channel swap (L/R)
  • Noise floor (crosstalk reliability)
These checks catch common input-chain issues (clipping, mono capture, swapped channels, and surface-noise limits) so your crosstalk readings stay trustworthy.
Both channels present
Left and Right show signal above the noise floor.
Channel balance looks sane
Stereo tone: Δ within threshold (adjustable). Big mismatch can be wiring, coils, stylus/cantilever issue, or preamp/interface.
Polarity / phase looks sane
Mono/in‑phase tone: correlation near +1. Negative correlation often means one channel inverted.
Separation isn’t catastrophically low
Left-only / Right-only: leakage should be much lower than the active channel. This is sensitive to azimuth and setup.
Distortion doesn’t look extreme
Tone: crude THD estimate. High THD can be mistracking, damaged stylus, clipping, or a very hot track.
No obvious “one-channel cutoff”
Pink noise/sweep: compare Left vs Right spectra for weird, hard rolloffs.
Crosstalk / separation (active → leak)
Play Left-only or Right-only tones to populate. Values are relative and vary with frequency.
THD (approx, tone)
Estimate uses harmonic magnitudes; treat as “gross distortion detector,” not a lab spec.
Hum indicator (50/60 Hz)
Large hum peaks can be grounding, cables, or environmental interference.
DC offset (L / R)
Should usually be near 0 at phono preamp output.

3) Visual tools

Optional. Turn on only what you need — each tool is off by default to reduce load.
Oscilloscope (triggered)
Toggle on to enable this tool (saves CPU when off).
Lissajous (XY)
Toggle on to enable this tool (saves CPU when off).
Spectrum — Left + Right
Toggle on to enable this tool (saves CPU when off).
Optional: Spectrogram (sum)
Toggle on to enable this tool (saves CPU when off).

Phono cartridge troubleshooting guide

“My turntable is only playing out of one speaker” is the classic phono panic. The tricky part is that the cartridge is only one link in a chain: turntable → headshell leads → tonearm wiring → RCA cables → phono preamp → audio interface → this tool. The goal is to use repeatable checks (ideally a test record) to narrow the problem down without randomly swapping parts.

Start simple: play any music and confirm both input meters move. If one side is dead, don’t jump straight to “bad cartridge.” First reseat the headshell leads and RCA plugs (oxidation is real), and confirm your interface is truly taking a stereo line‑level signal (not a mono mic input with “enhancements”).

 

Once both channels are alive, use a steady 1 kHz band (or any stable tone) to check channel balance. A tiny mismatch is normal, but a big imbalance usually points to wiring, a loose clip-on lead, a partially open coil, or a preamp/interface gain mismatch. If you can safely swap left/right at the headshell (or swap the RCA inputs), do it: if the problem moves, the cartridge/headshell side is implicated; if it stays put, look downstream.

 

Next: polarity / phase. A mono in‑phase band should show high correlation. If correlation is strongly negative (or the “center image” sounds weird on speakers), you may have a polarity inversion on one channel (miswired headshell lead, swapped pins, or a cable adapter that flips polarity). Fixing this is often a “wow, that was it” moment, especially for bass and center imaging.

 

For test records that include left‑only / right‑only bands, measure crosstalk (separation). Nobody gets infinite separation, but if your “left-only” band bleeds heavily into the right channel, double-check wiring first. If wiring is correct, low separation can be caused by stylus/azimuth issues, cantilever misalignment, or simply a mediocre/worn test record. Use separation as a relative tool (compare after adjustments), not as a lab-grade absolute.

 

Finally, if the problem you’re chasing is “distortion,” decide whether it’s mistracking or overload/clipping. Mistracking often gets worse toward inner grooves and reacts to tracking force/anti‑skate. Overload/clipping is more about gain staging: it changes when you reduce gain or switch to a lower‑gain phono setting. This tool can flag obvious clipping and unusually high THD as a hint, but it can’t magically tell you which component is “at fault” without good test signals.

Tip: treat this as a decision tree. Use one controlled change at a time, and keep notes. That’s how you get from “something’s wrong” to “it’s the left headshell lead” (or “it’s the preamp input”).

About the Built-in Stereo Test Record Database

This page (and my other Web‑Audio test‑record tools) ships with a starter reference database of common stereo test records. The idea is simple: many measurements rely on specific bands (stereo tone, mono/in‑phase tone, left‑only/right‑only, sweeps, pink noise, etc.). If you know which test record you own, you can quickly find the closest matching bands and run the right measurement mode without guessing.

 

The database is a convenience layer, not a gatekeeper. You can still use this tool with any record (or even music) for basic “is it alive?” checks. But if your record is listed, the presets help keep troubleshooting repeatable: same band, same workflow, easier before/after comparisons. Like any hobby database, it’s compiled from public sources and may not capture every pressing variation—so treat it as a starting point and verify against your jacket/insert when it matters.

Browse the built-in test record list (searchable)

Make / series Model / title
CustomNot listed / custom preset
Ultimate AnalogueThe Ultimate Analogue Test LP
Frequency SweepFrequency Sweep & Burn-In Record
STRSTR-100 — Stereophonic Frequency Test Record (Issue 1)
STRSTR-112 — Professional Test Record (Square Wave / Tracking / IM)
STRSTR-120 — Wide Range Pickup Test (10–50,000 Hz)
TrackabilityTrackability Test Record (180g)
Audio TechnicalAudio Technical Test Record (Turntable Test)
Hi‑Fi NewsAnalogue Test LP (HFN 001 — original)
Hi‑Fi NewsAnalogue Test LP “The Producer’s Cut” (HFN 002)
OrtofonOrtofon Test Record Vinyl Essentials (Stereo Test LP)
Stereo Test RecordStereo Test Record: Testing 1, 2, 3, 4
RealisticRealistic Stereo Test Record (Cat. No. 50-1001)
TTRAn Audio Obstacle Course (TTR-101 Trackability Test Record)
TTRTTR-103 — Trackability Test Record (PEK)
TTRTTR-109 — Level & Crosstalk Test Record
TTRTTR-110 — Audio Obstacle Course (Era III)
TTRTTR-115 — An Audio Obstacle Course (Era IV)
Stereo ReviewStereo Review's Stereo Test Record (Model SRT-14)
Vinyl: CheckVinyl: Check (L210)
OmnidiscOmnidisc (DG-10073/74)
Don’t see your record? That’s fine—use any stable tone/noise track that matches the measurement you’re trying to run.